VEB FILM Leipzig is a netlabel, primarily known for producing straight to internet movies.
The first movie "Route 66 - an American (bad) Dream", a 104 minutes experimental, gonzo-style road movie, was released under Creative Commons BY-NC-SA in 2004 and quickly became popular as Germanys First Open Source Movie. Footage and other sources of the movie are being used by Universities, VJs and other artists.
The second major VEB FILM Leipzig production is announced to be released under Creative Commons BY in 2008 and is expected to be the first free High Definition feature film.
The founder and driving force behind the labels Free Culture ideology Stefan Kluge frequently represents the label on events related to Open Source, Net Culture and Digital Culture in Germany.
Ausschnitte aus einer Podiumsdiskussion der re:publica 08, auf der ich ein paar Sätze über Netlabel und zur Wahl einer geeigneten Creative Commons Lizenz im Zusammenhang mit VEB FILM Leipzig sage.
Die komplette Podiumsdiskussion gibt es bei hobnox - leider nicht unter einer freien Lizenz, die haben scheinbar nicht zugehört ;)
Neither Gerald nor I are able to recall it, but I did find some evidence:
That's equation number 1 from the diploma thesis we wrote together, dated "Leipzig, 02/18/2002" and it's the first proof of a collaboration between us.
Three months later, New Mexico: we are walking through the desert on a dirt road, supposedly Old Route 66. Our attempt to cross the US in a wreck of an oldtimer failed. It's serious enough to leave the camera behind in the car, with which Gerald was filming our road trip.
New Mexico, Summer 2002: Fucked Up
Back in Germany,
while I'm looking at the footage and starting to turn it into a 100 minutes movie with Tom and Matze, Gerald is experimenting with multi-layered high resolution textures, for a change.
Leipzig, 2005
"Route 66 - an American (bad) Dream" became Germany's first Open Source movie. We are eager to get the next movie project going. Separate from this, Gerald's first texture collection DVD is being released, buying him the independence to help me prepare the new movie as a Script Doctor and Production Designer.
set as a 3D model
I'm finishing the Script of "The Last Drug", it's Summer 2005. Gerald is designing the sets in a 3D tool to prepare the construction and lightning and to enable us to use computer generated shots in post production.
As we start to shoot he takes up the Director of Photography position and comes up with a confident aesthetic and a few awesome effect shots. As in this driving-car-rotating-dolly-shot:
dolly shot / computer graphic montage
In 2007 Gerald starts to render the computer graphic shots, which will be assembled into the footage by Matze, or which will be used as completely virtual shots in the movie.
We will release all computer- & 3D graphic project files and sources when "The Last Drug" goes on-line.
A train station in the East German province, in 1996:
Matze, who forgot to raise an objection against the military draft, and I, who asked to be part of a paratrooper division, are waiting for the train to the barracks. In 12 hours we will be roommates and property of the Federal Armed Forces for ten months, sharing the room with 4 other guys which probably snore and stink.
In his backpack he carries a bunch of pencil drawings - Matze seems to think that the army is interested in his creative advancement. A few steps away I am carrying the first load of a Commodore 64 home computer system around to finish my latest computer game in leisure-time, in the barracks. ?
New Mexico, Mai 2002
This car is catching fire any second. The pipe fell off a long time ago and the carbone monoxide is pouring through the floor of this monster. Matze became silent already and Gerald seems kind of dizzy in the fond. The Cadillac is dragging itself through the desert but it became clear now, even to us, that we won't get much further in this wreck. A dog is barking at the backfiring V8 as we pass a Ghost Town, after that, the road turns gravel and a few miles later the motor dies.
Desert everywhere. No car seen for hours, no Internet, no nothing.
Matze stays at the car. Gerald and I walk into the desert.
We kind of blogged about this road trip live in the net. Back in Germany I'm starting to turn our live report into a book, having Matze help me. Tom is stumbling over it and invites us to his sound studio to experiment with the video footage we shot during the trip. A week later Matze has to leave for his bread&butter-job. I'm staying at Tom's studio and we create a 100 minute movie.
2003, America, too - but this time far down south, on the Peruvian territory, 15,000 feet above sea level:
September 2003: Santa Cruz - Llanganuco Trail, Huaraz / Peru
Music: Jose Luis Moran - Encuentro de Dos Reinas (BeatPick)
License: Creative Commons BY SA
This time I'm traveling as a backpacker. Matze and Martin joined me after two month. The video cameras are up and running again.
Germany, Winter 2005
A bloodcurdling scream from outside. It's 11pm - wrap on the set, quitting time. Matze is doing pretty much gaffer work, besides playing himself in our new movie and picking up the directing when I can't. Our studio is a huge unheated storehouse somewhere in Eastern Germany. It's been 40 degrees Fahrenheit for two months now and we lost the first crew member to a pneumonia.
Matze was going to turn off the generator when it began to spark. "I got about 15 seconds until the shit hits the fan here!" he is thinking to himself, putting his camera on the side of the road, running to his car to bring some light to the place. He speeds towards the sparks spitting machine, hits the brake in the last second and stops with his right wheel on his camera. "AAAAAAAAAAAAA" - that's the voice of someone at his personal limit and all of us could have joined right in.
2007
Matze is helping to get a few pick up shots done, and starts the compositing of "The Last Drug" creating animations, assembling virtual into real shots and doing the color correction.
Lalon Sander interviewte mich neulich für einen Radiobeitrag und damit kommt nun endlich auch wieder etwas Podcast-Futter auf den Tisch. Es ging um VEB & das Open Source-Filmemachen:
Interview: "Freie Lizenzen werden vor allem die Postproduktion demokratisieren"
Written by Stefan Kluge
Friday, 19 September 2008
Julia Seeliger von den Grünen interviewte mich neulich zum Thema VEB & freie Lizenzen:
Julia Seeliger: Hi Stefan, erst mal Herzlichen Glückwunsch zum ersten OpenSource-Film in Deutschland. Bald kommt ja euer zweiter Film “Die Letzte Droge” heraus, der sogar unter einer “Kommerziell”-Lizenz veröffentlicht werden wird. Das hört sich ja alles sehr spannend an… Aber erst einmal zu “Route 66″ - Ihr hattet ja auch ein Angebot vom MDR - ist ja immerhin ein Öffentlich-Rechtlicher Sender, warum habt ihr euch denn für andere Möglichkeiten zu publizieren entschieden?
Wenn Du über den bevorstehenden Internet-Filmmarkt nachdenkst oder sogar selbst Straight to Internet-Filmproduktionen planst, dann kannst Du aus meinem Workshop von der re:publica 08 vielleicht ein paar Ideen ziehen: